Dr Jekyll and Mr Hyde is an examination of the duality of human nature Essay Example for Free

Dr Jekyll and Mr Hyde is an examination of the duality of human nature Essay Discuss the duality expressed not only in Dr Jekyll and Mr Hyde, but also in other characters. It is believed that there are two parts to a person; good and evil. In most people the good side is stronger and the evil side is repressed. In Dr Jekyll and Mr Hyde the repression of Dr Jekylls evil side has made it become much stronger and eventually when the evil side is released it takes over and changes the balance of good and evil in Dr Jekyll. The evil side becomes dominant. In the Victorian era science was a very interesting topic as Charles Darwin had just come forth with his theory of evolution and more facts about the evolution of man were being found out. Charles Darwin claimed that humans, over many years of time, had descended from the apes; this shocked many people in Victorian times as they were very religious and strongly believed in God, and felt like any other theory than the one in the Bible was unbelievable. In the novel Dr Jekyll and Mr Hyde the duality of human nature is shown as a split of good and evil. Robert Louis Stevenson shows that there are two sides to everyone; this is especially shown in Dr Jekyll. Dr Jekyll has a good side to him that his friends see, he is portrayed as a kind, sensible and well mannered man, but he also has a side of him that wants to break free and not have to be sensible and well mannered. The parts that Hyde is mentioned in the book are usually to do with crime or violence, and anyone who spoke of him felt that there was something strange and eerie about him. Our introduction to Hyde is him trampling a girl on the floor. Mr Hyde broke out of all bounds, and clubbed him to the earth. Hyde is described is compared to an Ape and other animals by many different people, it is almost as if when Jekyll transforms into Hyde he is evolving backwards, becoming more ape-like. Hyde is the personification of Jekylls evil side. It wasnt like a man; it was like some damned Juggernaut. Whereas Dr Jekyll is described as: A large, well-made, smooth-faced man of fifty, with something of a slyish cast perhaps, but every mark of capacity and kindness. Our introduction to Jekyll is at a dinner party, where he is civilised, sociable and elegant. As Jekyll is such a good man it is strange that he would let a man like Hyde have a key to his house so he may come and go whenever he pleases. Why does Hyde only enter the house through the laboratory door? It is also extraordinary that Jekyll did not mention Hyde to any of his other friends. Mr Utterson and Dr Lanyon have been friends with Dr Jekyll for many years but they both do not appear to have their own key to his house. It is suspicious that Hyde goes into Jekylls house in the middle night at comes out with a cheque signed by Dr Jekyll. Is Hyde blackmailing Jekyll? In Victorian times it is highly unlikely that anyone would have guessed that Dr Jekyll and Mr Hyde were the same man. This is because they have completely different characteristics and qualities; Hyde is short, whereas Jekyll is tall. But to the modern reader it is in some cases obvious that they are the same man; Hyde and Jekyll are never around at the same time. Other characters in the book who have met Mr Hyde describe him as wicked looking and having an impression of deformity without any nameable malformation. Mr Hyde appears to have some kind strange of aura about him; that makes other people around him nervous and scared. He was perfectly cool and made no resistance, but he gave me one look, so ugly that it brought out the sweat on me like running. Dr Jekyll, however, seems very sociable and pleasant to look at. But the reader knows that Dr Jekyll has a terrible secret. A secret that is so awful, it cause Dr Lanyon to break their friendship and eventually resulted in Dr Lanyons death. I am quite done with that person; and I beg that you will spare me any allusion to one whom I regard as dead. In the novel, before the revelation, Jekyll allows Hyde to become increasingly stronger. Jekyll finds that he cannot control the transformations, and they happen without him taking any of his potions. I was slowly losing hold of my original and better self, and becoming slowly incorporated with my second and worse. Not being able control the transformations means that Dr Jekyll is unable to see anyone, and when Mr Utterson and Mr Enfield see Dr Jekyll at his window, Jekyll begins to transform and has to slam the window shut before the other men see. But Mr Enfield and Mr Utterson did catch a momentary look of what was happening on the other side of the window. They saw it but for a glimpse, for the window was instantly thrust down; but that glimpse had been sufficient, and they turned and left the court without a word. Mr Utterson is a curious character in the novel. His friendship with Mr Enfield is particularly strange. It was reported by those who encountered them in their Sunday walks, that they said nothing, looked singularly dull, and would hail with obvious relief the appearance of a friend. It seems rather odd that the two men would go out every week, but do not seem to like each other. Mr Utterson must have some secrets and strange history that is not mentioned in the novel. And though he enjoyed the theatre, he had not crossed the doors of one for twenty years. Mr Utterson seems to keep himself to himself. He does not talk about his feelings and thoughts or his past, and to Mr Enfield he hardly talks at all. Yet when Mr Utterson has a drink at a dinner party something eminently human beaconed from his eye, this may be some part of him that wants to be expressed and let loose and he is just managing to repress it. After the revelation Dr Jekyll claims that man is not truly one, but truly two. He thinks that every soul contains two parts; good and evil. But one is always dominant. In the case of Dr Jekyll it appeared that the good side was the dominant side but after the transformations it was realised that really the evil side was dominant, and had somehow become stronger than the good side by being repressed for all those years. The novel Dr Jekyll and Mr Hyde shows a lot of different sides of the duality of human nature; good and evil, right and wrong. These differences are shown in many of the characters in the novel. The book emphasises the goodness of Dr Jekyll and evilness of Mr Hyde, however is also points to Mr Utterson and Dr Lanyon who both display moments when they too have unstable characters.

Violent Crime Victims: Social Work Practices

Violent Crime Victims: Social Work Practices Chanchez M. Smith Abstract In this paper, I will discuss generalist social work practice with victims of a violent crime. The following elements will be included: a clearly defined victim population of my choice; the nature of the crime; ethical issues that may affect social work practice or that could impact practice with the population that I chose, or value conflicts that a social worker may experience (such as conflicts between professional and personal values, personal and client values, or professional values and client values). Policy issues that may influence social work practice will also be included. Violent crime is defined as an action or deed that results to causation of bodily harm and physical injury to another person. Violence has been a part of human history (Garland, 2012). Since the onslaught of evolution when early men settled their scores by means of brawl to the present day when the vice has taken up a widespread and more encompassing concept, it seems that violence will remain a part of human history for the foreseeable future. Previously, violence was used as means of indicating displeasure at a second party’s sayings or deeds. It was also used as a way of marking territory and making conquests. In some communities and groups, violence was used in induction and initiation into certain levels of the society. Today, apart from the factors mentioned above, violence has taken up a different form and is a target of both the defenceless and otherwise. There are different types of violent crime. These include assault, armed robbery, kidnapping, homicide (for instanc e murder) and sexual assault crimes among a host of others. People from virtually all walks of life can fall victim to these types of crimes. In particular, violence against women and children has become common in today’s society. Women have been on the receiving end of violent crimes of various types, most commonly rape and sexual assault (Stith, McCollum, Amanorà ¢Ã¢â€š ¬Ã‚ Boadu, Smith, 2012). Children on the other hand are more commonly the victims of kidnap and assault. The role of the society with regard to occurrence of violent crimes is of immense importance when trying to establish the causative factors and means and measures of countering the vice. As social beings, our interactions, thoughts, actions and sayings are largely determined by our environment and upbringing. Thus, the society is largely involved in the making of violent people. Research reveals that most people who exhibit elements of violent behaviour have an underlying problem attributable to the society. This could be due to a troubled childhood in which the parents divorced when the offender was young, or lack of parental care (due to other causes such as being raised up in a children’s home), drug and substance abuse, mental problems or even poverty. Poverty is strongly linked to a number of violent crimes, most commonly robbery, kidnappings and gun violence. The society is also involved in the punishment accorded to such people and the way forward in terms of correction and rehabilitation. Through legislation of laws and making of rules that govern a people, the repercussions of violent crimes are and should be spelt out. In that way, those tempted to engage in such crimes are deterred. This aspect should be two sided such that the correctional aspect should also be factored in. The role of the society in rehabilitation of offenders with regard to violent crimes is immensely important. A system that allows the offender to realize the mistakes he/she made and work towards amending them will serve a greater purpose than that which only highlights the faults made without a clear means of overcoming and changing the violent nature. Victim Population This paper highlights women and children as the victim population that bears the brunt of the most commonly committed and the most heinous violent crimes. In the case of children, those aged between five and twelve years have a higher predisposition while in the case of women, all age groups are generally susceptible (Barner Carney, 2011). Notwithstanding the country or region, violence against women and children is becoming increasingly common. Further, the rate at which such offences are being carried out is alarming with research revealing that in spite of this, most cases go unreported altogether. Take an example of Australia, a country largely considered to be peaceful and exemplary with regard to crime management. A research conducted by the Australian Bureau of Statistics with regard to Personal Safety revealed what was becoming a disturbing trend. The research was carried out in 2005 to measure domestic violence and sexual assault directed towards women. According to the fin dings, about 5 percent (363,000) of the women in the country experienced some form of violence, either by people known to them or unknown offenders in that year alone. Among the people known to the victims, most cases involved husbands, particularly with regard to domestic violence. Findings from the study also revealed that 1.6 per cent (126,100) of the female population had experienced sexual violence. Further, 33 per cent (2.56 million) of women in the country have experienced physical violence since they were fifteen years old. 19 per cent (1.47 million) have experienced sexual violence since they were 15. From the results, one can draw that one out of every five women has experienced sexual assault since they were fifteen while one out of three has experienced some form of violence (Daly, 2012). As regards children, kidnapping is arguably the most common type of violence faced by most countries around the world although there are a significant number of cases involving child battery and assault too. A country synonymous with child kidnappings is Mexico. In Mexico, drug cartels have formed a formidable force and combining this with connections in the justice system and money to burn, are causing all sorts of trouble to authorities. However, the people with the greatest headache are parents, particularly rich folks. In Mexico, child abduction is often carried out with the intention of demanding ransom. The money is then used to service and propagate other criminal activities. On the other hand, killing of children is carried out for a more disturbing purpose; to prove to the world their ruthlessness and to exert their authority! Human rights groups in Mexico estimate that between 2006 and 2010, 994 youngsters (below 18 years) had been killed in drug related violence. Adding th e number of those abducted and exposed to other forms of violent crime results to the figures multiplying more than 100 fold. Interestingly, when it comes to international abductions, Mexico and the United States have a lot in common. This is highlighted by the fact that most children abducted in the US find their way to Mexico where they can be used as bait to demand ransom or sold to childless couples. In the same way, a good number of kidnapped children in Mexico are moved to the US where they find new families. Nature of Sexual Assault and Child Abduction Sexual assault and domestic violence against women is not only demeaning and degrading but also comes with a great deal of emotional turmoil to the victims. There have been cases of women committing suicide after falling victim to sexual assault. In other cases reported, the victims become withdrawn and may develop a negative attitude towards men. It is also common to find women suffering from mental problems such as stress and depression after incidents of sexual assault and violence. In some communities and regions, the blame is usually placed on the woman’s head (Daly, 2012). This makes the recovery process even more difficult as the victim is made to feel like she brought the misfortune upon herself. Child abduction usually culminates to a whole lot of problems, not only to the victim but also to the society. Many abducted children are used as a bargaining chip for demanding ransom. However, in other cases, child abduction is carried out with a different intention, one of which is child pornography. This has been an emerging issue in which children are kidnapped and forced into engaging into sexual acts. These are then taped, recorded and sold. The business of sexual exploitation of children is becoming common. This is attributable to the high levels of profits made by the people engaging in such outlawed activities. For instance, in Atlanta, children as young as eleven years of age have fallen victim to the activities of unscrupulous people in the name of pimps. To the child victim, the introduction to a corrupted world at such a tender age may change the outlook of their lives and the nature of their future. Such children usually end up becoming drug addicts posing a new challe nge to governments and the society. They may become social misfits, who end up engaging in outlawed activities as a way of ‘paying back’ for what they went through. The victims may also become withdrawn and develop psychological problems as a result. Ethical Issues involved Most studies reveal that a significant number of cases of violence go unreported. In particular, cases of domestic violence against women are usually hushed up within the confines of the house. Domestic violence and even sexual assault are usually regarded as private incidences that need not be shared with the rest of the world. In some communities and regions in the world, a woman suffering physical violence in the hands of their husbands is quite normal. In others women who fall victim to sexual assault are largely viewed as the orchestrators of their own downfall; they are often believed to be the reason for the assault in the first place. This could be through their way of dressing, mannerisms or other factors. As a result, women in such communities suffer in silence knowing that the community would judge them harshly if they reveal the goings-on. What victims who fail to report cases of violence do not realize is that keeping quiet instead of reporting or talking about it does m ore harm than good (Garland, 2012). Failure to report the crimes may pose a challenge with regard to development of strategies and solutions for overcoming the vices. To begin with, it is difficult to point out victims of sexual assault and domestic violence. Even if they could be pointed out, without their willingness and cooperation it would be difficult to come up with a solution. Failure to report the ordeal in the first place amounts to lack of cooperation. In addition, by failing to report the crime, the victims directly and indirectly contribute to the continuation of the crime. For example, in the case of sexual assault, failure to report rules out the chance of tracking and nabbing the offender. This means that any other woman out there is a potential victim. In the case of domestic violence, failure to report denies other victims the courage to speak out and potential victims are also denied justice as they come into a society where the status quo is already predetermined. A social worker is also likely to come against values that challenge his/her own beliefs. For instance, coming from a more free and liberal society to interact with a community in which violence against women is considered part and parcel of life, the social worker may find it hard to adjust to the new set up. What he/she consistently views as wrong and unacceptable is, on the contrary tolerated. In Mexico, reporting of crimes is almost certain not to occur. The ruthlessness with which the drug cartels handle their victims is beyond imagination. Reporting such crimes only earn the persons involved a ticket for graver repercussions. Research reveals that even the media, including newspapers are forbidden by the cartels not to report incidences of crime; they have no choice but to abide. More specifically, child abduction is a common occurrence but which occurs right under the noses of the authorities and the society but the cases are hardly reported. In the same way, the activities that the children are made to undertake (such as child pornography) are difficult to report even by those who are not directly involved in the crimes due to ethical concerns. For example, it may appear ethically inappropriate to report cases of sexual molestation and exploitation of children in light of the unspoken taboos that revolve around sex. Even to a social worker, sometimes it may come with a level of discomfort when talking about sexual issues with children as the centre stage. This may directly contradict the values of a social worker who does not believe in premarital sex or any other kind of sex apart from that between married people. Policy Issues that may Influence practice Violence directed towards children and women can only be successfully managed with input from all stakeholders. This includes the victims, the society and governments. In particular, governments have a major role to play as they determine much to do with policies and legislations (Garland, 2012). If the government supports and encourages a free and liberal society, it will advocate for measures that provide a platform for reporting and subsequently dealing with offenders. This will serve to give the victims a voice and an assurance that their plight is taken into account. Provision of such an avenue should also be accompanied with measures that help the victims recover from the ordeal. This may include providing counselling programs and keeping the victims under watch to observe their progress and recovery In addition, policies that promote the role of the society and social workers in aiding victims of violence go a long way in aiding the management of the vice. Social Work Practice with Victims of Violent Crime The role of social work with regard to helping victims of violent crime cope is vital for their recovery and healing. In most cases, social workers engage victims in talks that though may seem and sound simple yet actually achieve a lot. The experience of sharing alone is enough to take a whole load of burden off the victim’s shoulder (Gitterman, 2013). In the process of sharing, the social worker gets the chance to interact with the victim at a personal level and to empathize. This is very important for the recovery of the victim. He/she needs to feel that someone understands the ordeal they went through, the predicament they are in and that the person is willing to listen and even offer pieces of advice. Social work may also act as an eye-opener to the goings-on in the society. Through knowledge, skills and experience, the social worker may be able to unearth facts about the community that were previously unknown. Facts to do with their beliefs, values and culture may offer insight into their way of life (Gitterman, 2013). Conclusion Violence against women and children is not a problem restricted to particular countries or regions. Rather it is a global menace (Barner Carney, 2011). According a 2013 global review of data, 35 per cent of women all around the world have experienced some form of violence. In some countries, the findings are even more alarming with reports of up to 70 percent of women having fallen victim to violence. Research also reveals that of all women who were killed in 2012, about half died in the hands family members or better halves. With this information in mind, it is important that communities and countries around the world demand for more from their governments and from themselves in the fight against violence directed towards women and children. The causes and the outcomes of violence against women and children stem from and affect the society at the end of the day. Therefore, the solution should come from the society in the first place. References Barner, J. R., Carney, M. M. (2011). Interventions for Intimate Partner Violence:  A Historical Review. Journal of Family Violence, 26(3), 235-244. Daly, K. (2012). Conferences and Gendered Violence: Practices, Politics, and Evidence.  Conferencing and restorative justice: International Practices and Perspectives, 117-135. Garland, D. (2012). The Culture of Control: Crime and Social Order in Contemporary  Society. University of Chicago Press. Gitterman, A. (Ed.). (2013). Handbook of Social Work Practice with Vulnerable and  Resilient Populations. Columbia University Press. Stith, S. M., McCollum, E. E., Amanorà ¢Ã¢â€š ¬Ã‚ Boadu, Y., Smith, D. (2012). Systemic  Perspectives on Intimate Partner Violence Treatment. Journal of Marital and Family  Therapy, 38(1), 220-240.

Homosexuality In Dead Dreams Of Monochrome Men

Homosexuality In Dead Dreams Of Monochrome Men In this essay I am going to look at the work Dead Dreams of Monochrome Men (Dead Dreams) by Lloyd Newson, performed by the Physical Theatre Company DV8. I will focus on the way homosexuality is represented within the piece. I will then look at the work of the playwright Oscar Wilde (1854 -1900) and the painter Francis Bacon (1909 -1992) in order to examine how homosexuality was represented within their art and make comparisons with Dead Dreams of Monochrome Men. I will try to show how the representation of homosexuality within art at different times reflects the prevailing attitudes towards homosexuality of the time. I will examine how each artist used their creativity to put forward ideas and messages about their personal experience of homosexuality, and the extent to which this was influenced by the society in which they lived. Although these artists lived in different eras I believe they shared a similar attitude to the pain, suffering and frustration that homosexuals were forced to feel when existing within a society which regarded their natural sexual orientation with prejudice and lack of understanding. Homosexuality was a criminal offence in the UK until 1967. Before this date homosexuals could be imprisoned gay males had to risk various punishments from society for their behaviour which was not condoned by the establishment. Because of this many homosexuals experienced conflict: either to not follow their natural sexual desires and live a lie, of follow them and risk exposure as a criminal and perhaps even prison. This forced homosexuals into a world of guilt and secrecy which is still resounding within homosexual culture today. Even though attitudes towards homosexuality can be said to me more liberal today, for many people homosexuals are still strongly associated with unnatural acts and perversion not just on an individual basis but also be institutions such as the Catholic Church. 2 Dead Dreams of Monochrome Men In 1986, Lloyd Newson formed the Physical Theatre Company DV8 and he is the main choreographer of DV8s work. Newson is renowned for exploring and attacking the forbidden in an attempt to challenge societys views of various issues and, in particular, homosexuality. Newson addresses the distance created by mainstream or straight society which pushes homosexuals to the fringes. (Hutera, 83, 2008) Newson has placed his sexualized politics into the body of his works. (Reynolds, 2009, online) Interestingly, before Newson made his way into the art world with DV8, he trained as a therapist. Perhaps in his therapeutic work he was able to identify with the struggles of the other minorities who experienced prejudice that he would have encountered: people who experienced great personal problems or behavioural addiction problems which may have made them feel like outsiders. Newson is obviously a highly political person who does not shy away from pushing the boundaries to achieve his artistic and political objectives. DV8 Physical Theatres work is about taking risks, aesthetically and physically, about breaking down the barriers between dance, theatre and personal politics and, above all, communicating ideas and feelings clearly and unpretentiously. It is determined to be radical yet accessible, and to take its work to as wide an audience as possible. (DV8, 2010, online) Originally premiered as a stage piece on 5th October 1988, Dead Dreams of Monochrome Men was the first stage piece by DV8 to be reworked and transformed for film (in 1990). My impressions of the piece are based on this film, directed by David Hinton, rather than the stage performance. Dead Dreams of Monochrome Men is divided into ten different pieces, involving a cast of four male dancers, (including Lloyd Newson himself), conveying the alienation of homosexual males and the deionisation of homosexual thirsts. (Hutera, 83, 2008) The work is said to be inspired by the serial killer Dennis Nielsen, a man sentenced to life imprisonment in 1983 after murdering fifteen male homosexuals. Newsons decision to use Dennis Nielsen within this piece could be regarded as surprising as Nielsen could be seen to represent the seediest, most violent and sadistic aspects of homosexuality rather than its more acceptable face. For me this shows Newsons honesty in not backing away from difficult issues. However while violence is always imminent in this work, the choreographer and director also focus on the unexpected tenderness of four men who are too desperate to control their needs to suppress their fear, (Ney, 2001, online) Through the choices made in terms of movement, camera, music and set in Dead Dreams, the fear suggested is of the sexual desire between the four dancers, who are battling with themselves and those around them. Newson is suggesting that homosexuals feel a need to try and suppress their desire, because of the harsh world they live in. Although homosexuality is treated far more openly within U.K. society than ever before, it is still tinged with danger and fear, perhaps echoing its past and the impact that prohibition and prejudice still have on homosexual culture. Newson made known that the production loved to assault middle England prejudices and use shock as a major tactic. (Brown, 2003, online) Newson was one of the first artists, not just in dance but across all art, to not feel the need to try and hide or tone down the homosexuality in his work. Newson was not afraid to use real male bodies, show you the real skin on skin contact and let you know that homosexuality is what you were being witness to. The use of camera in Dead Dreams of Monochrome Men brings the audience face to face with the gay relationships between dancers. Throughout the piece the camera zooms in on close-ups of skin to skin contact. For example a duet in the second piece blind shows us a moment where two dancers are stood one in front of the other. The dancer behind reaches around the dancers body in front and lifts his t-shirt (a popular item of clothing among gays) to cover his head. Using his hands he then slowly and lightly explores the surface of his skin around his abdominal and pectoral area. At the culmination of this, the camera slowly zooms onto the dancers stomach and all we can see is this hand to stomach contact. The use of close up by the camera gives us no choice but to be confronted with this idea of intimacy between the dancers, emphasising the importance of this imagery to the piece, and the overall work. Suddenly the hand slaps the stomach and the piece finishes. The slap communicates to me a feeling of forbidden, that the touching between the two is wrong. Whilst we are shown the close up camera shot of the hand to stomach contact, there are short snaps of another dancer who is positioned to the side of the duet. This dancer is crouched tensely over with this body, with his mouth pushed wide open, every limb, and finger to neck is stiff and contracted. The dancer appears anguished and frustrated. The fact that we are unable to hear any scream which you feel he is desperately trying to project, communicates that he may be a symbolic reference to the silent frustration felt by many homosexuals who feel they need to live in denial of their sexuality. There are many moments in Dead Dreams that contrast what we see on the outside of the dancers with what they are feeling on the inside. Newson has created moments which make us think there is more to the dancers than what is being portrayed on the surface, that an act is being put on. For example, in piece four I just want to be with you we have the only moment in the whole work where a dancer speaks. A man (perhaps representing Nielsen) is sat smoking, looking at us through the camera and speaking as though he were trying to chat us up in a bar. The smoke illusion and the steadiness of his voice communicate an impression of calmness. However, about five metres in the distance behind this man we see another male figure, squashed between two walls. As the dancer speaks the male behind moves in a fidgety manor within his small space, as if trying to find a position that is comfortable. As the conversation builds and the sentences become longer and more personal, the dancers movements becomes bigger and more frantic, suggesting that perhaps the dancers are actually different sides of the same person. This scene appears to be metaphoric. Newson may be trying to say that however comfortable gay men appear to be on the outside, there is still a lack of confidence inside. DV8 aims to connect the world outside with the world inside or, if you like, the personal with the political. Even though their focus is on the body in action, they use whatever means they need to achieve that connection dance, acting, circus, film, whatever. The message matters more than the medium. (2008, Roy, online) Silence is used very effectively throughout Dead Dreams. The use of silence at moments enables the audience to hear the breathing of the dancers. In Piece Four the dancers breathing speeds up as another dancer walks towards him, getting closer and closer. The breathing increases even more as that dancer then makes body contact with him, hand to his neck. By the intensity of the breathing we can sense a strong feeling of the nervousness and perhaps lack of trust he feels about the situation. This idea of trust between two dancers is bought up again later in the work, in a more symbolic and obvious way. Piece six called Falling Down involves a moment when one dancer is dropping himself from a ladder onto another dancer who is supposed to catch and break his fall. The dancer falls testing their trust, three times. First from a height of about two metres, the next as high as four metres, but then on the third drop, he is willing to fall from a height of about ten feet. The dancer beneath walks away, but the dancer drops himself anyway, perhaps suggesting that even those who you have grown used to trusting always have the capacity to let you down again echoing the Nielsen story as he first befriended his victims before killing them. Filmed in starkly lit, anguish- and muscle-enhancing black and white, Dead Dreams looks like a living George Platt Lynes photograph set in a fevered, prison like bar world, pulsating with wordless sexual narratives, twitchy erotic appetites and well-shorn, hunky men. (From Video Cover). Is this prison supposed to represent another world, homosexuality from which there is no escape? In Piece Five, Drum and Dance for the first time we see the outside of the prison. A protected barred window, through which a bright light shines through (as if suggesting a happier place) into the dark and eerie box in which the four males seem trapped. A desire to reach for this light is suggested as the three dancers each try individually to get out of the window, a teasing four metres above their heads. They soon think of using each other to help reach up to the window, and start co-operating to the point of climbing up one anothers backs to standing on shoulders. (An example of the physical skill demand in DV8s movement material). Perhaps Newson is suggesting that only if homosexuals work together can they fight prejudice and negativity? How there needs to be a strong sense of unity amongst homosexuals, based on their shared experiences of alienation and rejection. In the third piece The Pedestal Newson again seems to address the issue of denial. A male dancer is sitting on the shoulder of another male dancer. The dancer carrying the other walks non stop in a circle for about three minutes. Obviously the weight of carrying a whole males body, particularly on just one shoulder is very demanding, and so he struggles to walk around upright and soon becomes pushed to a crouch. The way the dancer fights for as long as he possibly can, could be taken to suggest the idea of a homosexual in denial. How the weight of going against what is such a natural part of you can been very hard, and will eventually crush (kill?) you. In an interview with the telegraph, Newson speaks about his beliefs and his position as a homosexual artist. He explains, I am a politician already. Battling with the politics of dance, and the politics of life. If I can carry on those battles with a loudspeaker- which you can do when you have company that gives public performances then I will. DV8 is my loudspeakerà ¢Ã¢â€š ¬Ã‚ ¦ The direct line between what we felt and what we showed we felt angry, we showed anger immediately. And it got to a point when we burned ourselves out. (Brown, 2003, online) Dead Dreams is a powerful work that draws you into the world of the homosexual and confronts you with your own prejudices. It has an integrity based on what one feels to be the gritty truth about the negative attitudes and insecurities regarding homosexuality which Newson obviously still feel permeate U.K. society today and the dangers that many homosexuals still face because of this. 3 Oscar Wilde Oscar Wilde was a successful poet and playwright who produced most of his work in the late 19th century. The Victorian society in which Wilde lived stressed the need for family values and a faithful religious way of life. Although everyone knew that homosexuality existed most pretended to not know anything about it and homosexuals were forced to live secret lives. Homosexuals came mainly from the upper and middle classes and had both the financial and social life to enable them to engage in homosexual activities. (Hilliard, 1982, online) Many were married and lived double lives and were flamboyantly dressed. During the 1880s and 90s societies attitudes towards homosexuality changed significantly. What before was thought of as sinful behaviour, views of homosexuality altered into believing it was nothing but a sickness. (Hilliard, 1982, online) However the Labouchà ¨re Amendment of the Criminal Law Act of 1885 criminalised all homosexual acts by males in private and public, and this legislation eventually led to Oscar Wilde being prosecuted. (Hilliard, 1982, online) Oscar Wilde was one of the many homosexuals who lived a double life. Wilde appeared to adhere to Victorian values by marrying and having two sons, prior to acknowledging that he was in fact a homosexual. However the pressures of living a lie eventually caught up with Wilde and when he left his wife he returned to Oxford and the company of his friends from the upper classes and began drinking heavily and living a more openly homosexual lifestyle, including a very public affair with a member of the British aristocracy (Lord Alfred Douglas). Shortly after he was arrested, tried and sentenced to two years had labour for his homosexuality. (Moonstruck, online) Through his work Wilde was able to secretly convey his views, by creating a somewhat coded language which laid as a discreet undertone to his work. When you were aware of the secret messages Wilde had put into his work (which had reference to homosexuality), messages that lay deeper beneath the rich colour and beauty, the public would be witness to a whole different play. (Coren, 94, 1997) Homosexual undertones in Wildes writings, particularly in his novel, were used against him and helped send him to jail. His play The Importance of Being Earnest Wilde directly addresses the theme of dual identities. The plays two main characters are seen to be engaged in bunburying, which in the play is seen to refer to having one identity in London and another in the country. This was shown in the play as allowing them to escape Victorian social mores. This was taken by many to be a metaphor for the double life many homosexuals were living at the time. (SOURCE: MENDELSHON, DANIEL; THE TWO OSCAR WILDES, NEW YORK REVIEW OF BOOKS, VOLUME 49, NUMBER 15  · 10 OCTOBER 2002). Some commentators have suggested that bunburying was a slang terms for homosexual sex and that earnest was often used as a code word for homosexual as in is he earnest? During his trials, Wildes own homosexual undertones in his writings, particularly in his I Wilde was also explicit in his only novel, Dorian Gray where the male writer says of his first meeting with the lead character: for the first time. I knew that I had come face to face with someone whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself. This description of one man falling in love with another was felt to be shocking at the time of the books publication. Oscar Wilde was forced to hide his homosexuality behind layers of inference and disguise. He was terrified of revealing his homosexuality because he knew that he would be alienated and ostracised from the society. (Rader, online) Oscar Wilde was a prime example of how the negative attitudes towards homosexuality lead to secrecy and denial and that this can ultimately prove to be personally disastrous for the individual concerned. 4 Francis Bacon Born in Ireland in 1910, living until 1992, Francis Bacon was voted the most important living artist in the world. His influence and popularity amongst society cannot be denied as during the early twentieth century he existed as the highest selling living painter. Bacon was a painter of figures, (mainly portraits studies), often using an easel and canvas to create a roughly textured surface of oil paints. Working only from photographs, Bacon would transfer the figure he sees in this stimulus, to a figure painted on canvas. Francis Bacon was an artist who never tried to flatter the sitters he painted, but rather reflected his take on human existence. (Peppiatt 233, 2009), (Fifield, online) There is a clear theme that runs through all of Bacons works, the theme of distortion, the breaking up of the human body. For example in Bacons Portrait of Michel Leiris (1976) and Francis Bacon Self Portrait (1978). Francis Bacons homosexuality was no secret in his career. The death of Bacon at the age of 82 in 1992 stands as a significant moment, a turning point, in our understanding not only of the concept of queer, but of how artists felt able to operate if they were to be both true to themselves yet find a measure of acceptance in a society by and large hostile to homosexual expression. (1996, Cooper, online) Francis Bacon considered himself to be a queer homosexual and did not want to be known as a gay, as he did not like the word. In the old fashioned sense when queer was a term of abuse, a recognition and disapproval by society of divergent sexual tastes. There is that suggests Bacon was moved by the ideas and theories of gay liberation, but rather that the movement brought an unwelcome intrusion in what he regarded as his private life. At the time of the Stonewall riots in 1969, he was nearly 60 and his lifestyle was resolutely pre-liberationist in style and attitude. To change this would have involved great effort on his part. Going public, would not have seemed the thing to do at a time when his international reputation was well established. (1996, Cooper, online) It is obvious that Francis Bacon addresses homosexuality in his work, with paintings such as Study for Nude (1951) which involves male naked bodies intimately entwined, but he never spoke directly about it, and in particular would never speak of his personal relations that he wanted to remain completely private in attempt to not influence or detract from him being seen as an artist. The label gay was seen by many like Bacon, as a term just as abusive as Nigger. There were many liberations around during the later part of his life and represented a shift in homosexual lifestyle and its public persona. Bacon did not want to change his image and face the consequences of this from the public towards his work. Bacon produced most of his best work in the period after the Second World War, with his breakthrough piece Three Studies for Figures at the Base of a Crucifixion being painted in 1944. The immediate post war period was when society was very much about returning to family life and this can be seen through British and American films of the time. At this time it was very risky to divulge your homosexuality to others not only because it was illegal but also because it was not accepted. This would have led to feelings of isolation for many homosexuals. Even though society was becoming more tolerant of homosexuality, there was still great reluctance by homosexuals to trust others and discuss their sexuality, even with their families. At that time, men in this situation often referred to their doctors for help, and this occasionally led to medication or even psychiatric referrals to change their behaviour. Bacons subject matter was often autobiographical, reflecting the intimate and often anguished relationships he experienced. Despite Bacons use of distortion in his works, it is clear to see that the great predominant sex of his figures were male, and naked. When these naked figures in his works are involved in very close bodily contact, with entwined limbs where they are almost painted as one body, it is hard to not see Bacons work as greatly personal and specifically relatable to his sexuality. Yet by the late sixties Bacon had completed some of his queerest paintings. The relatively straightforward image Study from the Human Body (1949), of a naked man behind a transparent curtain is sensuous and enticing, offering a glimpse of some quiet, personal moment. An interesting choice that Bacon makes when displaying his final art pieces, is he demands that a glass cover be placed on top of his work, and with all aspects of art, everything is done for a reason. Is Bacons aim to create a reflection of the onlooker into the paintings too? Are we meant to look at ourselves and think of how we see ourselves in the painting? Bacon was probably the greatest British painter of the 20th century, and although he did not like to talk about his homosexuality directly, there is no doubt that his work brought homosexuality into the daylight and it was because of artists such as Bacon and others that the Sexual Offences Act 1967 Act which decriminalised homosexuality was passed. 5 Comparisons and Contrasts Dead Dreams of Monochrome men is shot in black and white, with dim lighting, creating a set of eeriness and little distraction. Francis Bacons works have the same effect, from his use of mainly black and white and other deep shades in his work, for example Three Studies for Figures at the base of a Crucifixion (1944). Bacons figurative and portrait paintings lack strong backgrounds, and thereby bring the main focus of his works, the figures, through as the strongest and most powerful detail. For instance in Bacons famous Self-Portrait (1971) he uses just a plain black painted background. In effect the mixture of blue, red and white tones that he has used to create the face, really emphasise and draw you in to these unusual skin colours. Similarly to pieces in Dead Dreams of Monochrome Men, as an audience we cannot help but be put in the position of being face to face with the shockingly suggestive gay relations. These artists are not afraid to use the naked body in their work, and feel no need to try to cover up or tone down the intensity of their work in doing so, just because of the shocked, some maybe disgusted, reaction we may have. Although Bacon uses the naked body, through vague outlines of the figures, the use of distance and blending, the naked figures in his works are created in a way that they do not hit you as much as Newsons figures. For example in Two figures (1953), which involves two male figures lying on a bed embraced, Bacon has used vertical brushstrokes that blend the black background in with the figures heads and body. You can be pretty sure that these two figures are male, however by Bacons technique here there is a possibility that he could argue that they are not, and that it is just your interpretation. I wonder does Bacon want the society to see homosexuals firstly as human being and their sexuality second. Whereas Newson aims for society to understand that human beings cannot be separated by their sexuality? In Dead Dreams, Newsons choice of props have been used effectively in terms of representing or having symbolic meaning by being put into a very plain and simple background. The same effect exists in some of Bacons pieces. Because of his plain backgrounds which exist as a running style through his paintings, when he involves an object it stands out as significant, and it can only be being used for a good reason. In Bacons Study for Crouching Nude, an outline of what appears to be a glass-like box which stands around the figure is painted. Is this glass meant to create an enclosed space the figure is stuck in? Meant to separate us from the figure? Matched by how the figure is hunched over in front of us and positioned in a crouch, the figure almost become animalistic, monkey-like. DV8 use the same idea of an enclosed setting around their male dancers a prison which they try to escape from. It could be said that the DV8 figures push the boundaries of humanity by such challenging and original movement. Are Newson and Bacon suggesting that sex is, at its most basic level, an animal act? Maybe they believe gays that suppress their feelings about their sexuality can turn into animals? Newsom could also be suggesting a link to the reaction of society towards the Dennis Nielsen case, as many people described him as an animal. Bacon often aimed to portray the human body as meat. An example of this is in his painting George Dyer in a mirror created in 1963, where the reflection in a mirror which is painted next to Dyers face reflects a further distortion which looks like slabs of meat. Perhaps Bacon was suggesting that if you see the human body as a slab of meat you do not see it as having any feelings and this is further suggested by the violence that runs through the image, which is enhanced by Bacons use of harsh brushstrokes. I do not believe that Bacon was as interested in challenging or expressing his views on homosexuality as much as Newson, as he was never an activist. And perhaps because of his associations with queer or camp effeminate homosexuals, he did not feel the need to strive for an acknowledgement that would eventually lead to move fundamental changes in society, (such as the civil ceremonies and legal right). His association with the art establishment would also have provided him with many influential friends and he may not have felt he was in a minority or an outsider. However I do believe that they both were interested in making reference to the suffering and effects homosexuals experienced by the discrimination they receive, and strove to communicate their experiences honestly in their art. 6 Conclusions It is no surprise that both Lloyd Newsons, Francis Bacons and to some extent Oscar Wildes homosexual referenced work received objections from many members in society. For example, Margaret Thatcher, Tory Prime Minister, described Francis Bacon as that artist who paints those horrible pictures. A well known philistine Thatchers artistic interests seem to be limited to collecting pretty ceramic figurines the remark could be read as referring to both Bacons often violent style of painting and to his usual subject of the interaction between two men, which in Bacons view was neither affectionate nor relaxed but turbulent and traumatic. (1996, Cooper, online) Protests of the openness and public support of acknowledging homosexuality inside and outside of the arts have always occurred. DV8 are one of many to be the creators of art which has provoked these objectors. The Sunday Mirror gave DV8 a massive leg-up. Gay sex orgy on TV shrieked the headline for their story on the screening of Dead Dreams of Monochrome Men, prompting a flood of complaints to the TV network, angry questions in parliament by Tory MPs and a huge surge in DV8s viewing figures. (2008, Roy, online) This still exists today, only last year ago one of the dance works shown at the production of In the Spirit of Diagalev at Sadlers Wells, bought protestors both inside and outside the dance theatre, over its explicitness about sex, homosexuality and the involvement further with the Catholic Church. Conservative elements within society seemed to worry that if sexuality could be questioned then what else could? What could homosexuality lead to? Would control even break down? Although Newson has been more willing to discuss how life and work than Bacon or Wilde, they all shared a need to express their ideas without being restrained by societys reactions to their work. This took considerable bravery the bravery to create art which was so out there for its day meant risk. And without artists taking risks everything will stagnate. I SUGGEST FINISHING HERE NEW I believe that the fact all three of these artist were homosexual are of great importance to their work. I believe if they were not, these works would most likely never of been made, as I am sure it was their experiences as homosexuals, and the hitting of nerves by a harsh society, that encouraged their art. Art always has and I believe will always be a substance of the artists feelings, as what is so beautiful about art, is its ability to be an expressional form.

What Love Is Not :: essays research papers fc

When I was Thirteen, I couldn’t wait until I was sixteen so that I could drive. Once I was sixteen I couldn’t wait until I was eighteen. I wanted to be considered an adult. When I reached the age of eighteen, I couldn’t wait to turn twenty-one. I wanted to be able to drink and gamble, legally. I am now twenty-two years old, and I wish that I could be a child again. I look back and feel that I grew up too quickly. I think the reason that I grew up so quickly, was due to the fact that I was friends with people who were older than myself. And just like the young boy in the short story â€Å"Araby† by James Joyce, I wanted to be accepted by someone older than myself. The young boy from â€Å"Araby†, wanted to be accepted by an older girl who he thought he loved. Although (in reality) the young boy does not truly love this girl; he becomes deeply obsessed with her. Which would have cost him his childhood; if it weren’t for his realization. Some people live their whole lives and never discover what love really is. And the young boy from â€Å"Araby† hasn’t either. Communication is a vital part of loving someone, and this is something that the young boy cannot do. The young boy demonstrates this when he encounters the older girl who is his so-called love. â€Å"At last she spoke to me. When she addressed the first words to me I was so confused that I did not know what to answer† (Joyce 28). This shows the boys inability to communicate with the girl. He cannot even hold a simple conversation with the girl. When you love someone you have to be able to tell someone how you feel, or at least be Williams 2 able to communicate how you feel through body language. Like flirting. If you do not, or cannot, let that person know how you feel, it is not called love. It is called an obsession. Most people obsess over things that they cannot have. One thing that the young boy cannot have is the older girl. All he can do is obsess over her. He obsesses over to the point that he is almost stalking her. The boy illustrates this to us every morning: Every morning I lay on the floor in the front parlour watching her door.

Marijuana and the Biological Bases of Behavior Essay -- Research Paper

Marijuana and the Biological Bases of Behavior Marijuana is the dried leaves and flowers of the hemp plant Cannabis sativa. Like all plants, it's sensitive to the environment where it grows. Some of the names for it are Mary Jane, pot, weed, grass, herb, ganja or skunk. The brain has many responses to marijuana. Marijuana can cause people to lose focus on events around them. For some it makes them more aware of their physical sensations. For others, there are numerous other effects. All forms of marijuana are mind- altering. All of the changes are caused by chemicals that affect the brain. More than 400 chemicals are in the average marijuana plant. When smoked, heat produces even more chemicals. Different weather and soil conditions can change the amounts of the chemicals inside the plant. Marijuana grown in one place might be chemically stronger than grown in another. Marijuana's effects on the user depend on it's strength or potency, which is related to the amount of THC it contains. Marijuana causes some parts of the brain, such as those governing emotions, memory, and judgment, to lose balance and control. Marijuana can speed the heart rate up to 160 beats per minute. Dilated blood vessels make the whites of the eyes turn red. Panic feelings may be accompanied by sweating, dry mouth, or trouble breathing. Much like tobacco smokers, marijuana smokers may experience a daily cough and more frequent chest colds. Animal studies have found that THC can damage the cells and tissues in the body that help protect against disease. When the immune cells are weakened you are more likely to get sick. When someone uses marijuana, these chemicals travel through the bloodstream and quic... ...ology 8th ed. Australia, Canada, United States: Wadsworth Publishing Kouri, E.M., Pope, H,G., (2000, November). Abstinence Symptoms During Withdraw From Chromic Marijuana Use. Experimental and Clinical Psyhopharmocology,8(4),1- 13. Massi, P., Pavolaro, D., Rubino, T., & Vigano, D., (2001) The Psychoactive ingredient of Marijuana induces behavioural sensitization. European Journal of Neuroscience 14(5), 884-886. Nahas, G., (1977) biomedical aspects of Cannabis usage. Bulletin on Narcotics 29(2), 13-27. Martin, B. R., Neuropsychopharmacology: The Fifth Generation of Progress, Marijuana. Retrieved from the Internet March 3, 2005. http://www.acnp.org/g4/GN401000170.CH166.html Williams, J.S. (2004). Cognitive Deficits in Marijuana Smokers Persist After Use Stops. National Institute on Drug Abuse, 18(5), 1-4.

Issues and Challenges of Logistics in Malaysia: a Perspective

In the Asia Pacific region, the potential for growth in logistics is very promising. Although Malaysia's economic growth rate is increasing, but advances in logistical in this country is still on modest level. Under the Third Industrial Master Plan (IMP3), which was launched in 2006, Malaysia’s logistics development were charted carefully and diligently as to keep on pace with other countries in South East Asia. However, Malaysia is still lagging behind neighbour countaries such as Singapore, Thailand and Vietnam on transportation, bureaucratic and logistical issues. These issues need to be improve so that Malaysia can compete with these three countaries. Major Comments : Author Assumptions Transport and Logistics issues The production possibilites frontier (PPF) is the boundary between those combinations of goods and services that can be produced and those that cannot produce. In this issues, logistics development are the production and the problem are poor transport infrastructure, underdeveloped transport and logistics services and slow and costly bureaucratic procedures are the big issues that gives high logistics cost in Malaysia. Furthermore, the use of technology also needed in order to make some improvements to make logistics more efficient. Almost 20 years, Malaysia still trying to reduce transport and logistics cost. However, increasing in imports and exports but storage capasity in Malaysia are not well improve gives big impact to economics growth in Malaysia. This causes demand and supply are cannot be fulfil. Eventhough Malaysia adding new berths but Malaysia still cannot cope with increasing amount of space available on both depots and depots which causes Maritim still not fully efficient. In these issues, we must build as many as the new berths in order to maintain high capasity. For multimodal transport issues, Malaysia uses containers for the maritime part of trips, loading and unloading them in the ports rather at the origin and destination of their cargo. This eliminates the main cost-saving advantages of container use. However, poor transport infrastructure makes are hard its hard for unloaded. This is because road and rail infrastructure are not so good especially in East Malaysia. Furthermore, trade documentation in customs clearances need to be simplified in order to reduce port congestion. In addition, freight forwarding industry are still underdeveloped with only 10% of trade-related transport services uses this way. This causes demand and supply are not meet in positive ways. The high costs of land access to ports, reinforced by the effects of production agglomeration, have caused an excessive concentration of export-related activities in port cities and essentially restricted the benefits of trade growth to the areas immediately surrounding ports. However, if the benefits of trade are to be more widely distributed, the penalties of inaccessibility need to be addressed. Such action could not only stimulate trade-induced growth in currently inaccessible areas, but if successful, this could reduce and slower the growth of trade-induced urban congestion and pollution in port cities. Analysis In IMP3, specific targets has been set for the logistics industry which is to grow at 8. 6% during the 15-year plan’s period. In the other hand, logistic industry shall contribute 12. 1 to GDP (Keluaran Dalam Negara Kasar, KDNK) by 2020. Moreover, Malaysian ports shall handle 36 millions TEUs (container) by 2020, 2. 4 million tonnes for air freight and 18. 6 million tonnes for rail freight. Author Suggestion on Improvement In order to make improvement in logistics development, the Goverment needs to addressed few things such as Domestic Integration, Private Sector Collaboration and Regulatory Environment for Transportation. For Domestic Integration, transportation services should be improved especially road, waterways and railways in East Malaysia. For example through postharvest services, cargo consolidation through farmer or business associations, information on prices and market demand, access to credits and human skills. In the other hand, the needs of quality logistics for high-value products needs to improve. Such as freight forwarding, 3PL, warehousing, storage, packaging, e-business use and tracking services. Private sector are tend to more competetive than public sector. To encourage private sector collaboration, the Government has established the Malaysia Logistics Council (MLC) in January 2007 which is: i. To provide leadership and serve as a focal point to address all issues relating to the development of the industry, ii. Monitor and coordinate implementation of programs and activities of the respective Agencies/Authorities at both Federal and State levels involved in the development of the industry, iii. Steer research and training activities of the Center of Excellence for Logistics and Supply Chain and iv. Streamline strategies and policies governing the logistics industry which cuts across several implementing authorities. Minor Comments (Figures) 1. Logistics Development Supply When Logistics industry increases, the supply curve shifts rightward 2. Maritime Issues However, whe n Storage capacity cannot cope with the space available make supply decreases, thus the supply curve shifts leftward. 3. Multimodal Transport Failure in multimodal transport for loading and unloading are decreases, the supply curve shifts leftward. . Ports and Land Access When Ports and Land Access are not fully functional, the the supply curve shifts leftward. 5. Air Freight The decreases in Air Freight operations makes the supply curve shifts leftwards. Conclusions The needs of major improvement need to be done in order to improve logistics arrangements such as ports and infrastructure, freight management, connectivity and usage of technology. Malaysia will continue to review and undertake progressive liberalisation of its services industry taking into account domestic capability as well as to enhance competitiveness at the global and regional levels. References: * http://academia.edu/1360843/Issues_and_Challenges_of_Logistics_in_Malaysia_A_Perspective * http://academia.edu/1059313/Logistics_and_Supply_Chain_in_Malaysia_Issues_and_Challenges * http://www.apec.org.au/docs/10_TP_SUPPLY/7.%20Trade%20and%20Logistics%20-%20An%20East%20Asian%20Perspective.pdf

Failures: Failure and Entire Network Shutdown

Companies and businesses communicate with one another internally and with customer externally each day using different methods of technology but at the basis of this is the network, which makes it all possible to interact with one another. Companies and businesses have two types of systems they can set up to carry this out. They can design and set up a centralized system or a distributed system. The important factor no matter what the system is they have to be prepared for failures, which may occur in either system and have procedures in place to identify and isolate these failures to prevent an entire network shutdown and implement a solution for their network.Failures can occur at any level of a network and the network admin must be prepared in the wake of these occurrences. There are varying types of centralized systems that businesses can implement.The types of failures that can occur in centralized systems are; network failures, omission failures and halting failures. These type s of failures occur when a process crashes due to communication link failures that are detected during timeouts or in the process of sending messages.These failures typically only occur in the centralized system if it is connected via a general purpose or multi-user network setup.A distributed system simply is a group of â€Å"dummy† devices or computer that are connected to one network of distributed hardware which allows the devices to talk or communicate to one another and share other network assets and resources.This type of network is susceptible to four types of failures once they are set up. A fail stop occurs with some kind of notification to other components. A network file server telling its clients it is about to go down  is a fail-stop. Halting failures occur when a component just simply stops. The only way to detect this type of failure is by a timeout an example of which is when you computer freezes. The device stops responding to requests.A network failure al so can occur when network links break at some part of the process of traffic flow. Finally mission failures occur when there is a fault in the sending and receiving of messages due to lack of buffering space. This can lead to a device such as a router becoming overloading due to discarding of messages without notification to either the sender/receiver.Once these failures have been detected utilizing network research methods the next step in the process is to repair or fix the occurrence. These fixes can range from quick to time consuming, as each failure requires a different set of troubleshooting techniques. The simplest failure to repair is the network line break. The network admin would need to try and reach another device from the broken PC or device by utilizing the ping command to verify if the request was fulfilled which receiving a successful reply back from the device does. If the device fails to respond the admin would check other steps such as changing the network cable, configuration of the IP address or the network interface card.We typically solve the halting failure daily on our personal computer or our work device when it freezes. We typically use the ESC function or the Task Manager in Windows or the â€Å"kill† function in Linux to end an unresponsive process or we restart the device.Although we can’t always predict when a network failure will occur we can be ready to repair it in a timey manner by having diagnostic steps readily available when a failure is detected to prevent network assets being down for long periods of time.